Chinatown Art Brigade featured in NYT Article "Asian-American Artists, Now Activists, Push Back Against Hate"

Journalist Aruna D'Souza from The New York Times penned this Art-section cover story “Asian-American Artists, Now Activists, Push Back Against Hate” (from April 18th, 2021) that features Chinatown Art Brigade 唐人街藝術隊/ 唐人街艺术队's work and the important activism of other Asian American artists.

NYT_CAB_01_Photo of Founders_crop.png

Excerpt from the feature article:

"This change in approach recently led 19 artists involved in Godzilla to withdraw from the exhibition planned by the Museum of Chinese in America in protest of what they called the museum’s “complicit support” of the construction of a jail in Chinatown. (The museum received a $35 million concession from the city, part of a program to invest funds in neighborhoods that will be affected by the construction of facilities in the aftermath of Rikers Island’s closure.)

The museum disputes this characterization. Nancy Yao Maasbach, the museum president, said, “MOCA has always unalterably and vocally been against a Chinatown jail,” adding that its position is that cultural funding for marginalized groups is “critical to redefining the American narrative.”

The artist Betty Yu, a founder of Chinatown Art Brigade (CAB), said that “The way to fight this kind of xenophobia and white supremacy is to organize and fight the root causes of structural racism and capitalism.” With her co-founders Tomie Arai and ManSee Kong, and a network of other artists and organizers, CAB has been working over the past five years to oppose the gentrification of New York’s Chinatown neighborhood and the resulting mass displacement.

The loss of affordable housing and the closing of garment factories employing thousands of new immigrants are not unconnected to the art world. More and more art galleries are moving into the area, driving up rents."

To read the full piece:

https://www.nytimes.com/2021/04/18/arts/design/asian-american-artists-activism.html

American Scholar Magazine Feature: "Works In Progress: A Window on a Shrinking World" (Winter 2021)

American Scholar Magazine featured Betty Yu’s photography and multimedia project, “(Dis)Placed in Sunset Park“ in their current Winter 20201 issue!
You can pick up an issue of the magazine or read the full article online, link here and in my bio:
bit.ly/AmericanScholarBettyYu

You can also listen to their podcast where I was interviewed : "A Work in Progress: A Window on a Shrinking World" Podcast Interview

IMAGE: “Dad - still, quiet and daydreaming”. After working long hours for low pay in a garment factory my dad just wanted to sit and be still when he retired. 2019 (Sunset Park, Brooklyn. U.S.A.).

IMAGE: “Dad - still, quiet and daydreaming”. After working long hours for low pay in a garment factory my dad just wanted to sit and be still when he retired. 2019 (Sunset Park, Brooklyn. U.S.A.).

Excerpt from the article:
“Born and raised in Sunset Park, Brooklyn, artist Betty Yu has seen this neighborhood transformed by gentrification over the past several years. Her multimedia project (Dis)Placed in Sunset Park features stories of neighborhood residents affected by the breakneck changes around them. At one point, she realized that the project was missing a deeper look at her own family’s story: her parents settled in Sunset Park more than 40 years ago, after emigrating from Hong Kong. So in 2019, Yu shifted the lens to her mother and father and their ongoing fight to hold on to their home.
—Jayne Ross”

"Imagining De-gentrified Futures" group exhibition curated by Betty Yu at Apexart Gallery (Nov. 4th to Dec 19th)

Imagining De-gentrified Futures

Curated by Betty Yu
Virtual Opening and Tour: Nov. 4, 2020 6pm EST RSVP Here
On view Thurs. - Sat. 1 pm - 6 pm
Nov. 5 - Dec. 19, 2020
3D Online and at 291 Church Street, NYC (reserve a timeslot to visit)

Featuring Work By:
Black Quantum Futurism
Imani Jacqueline Brown
Chinatown Art Brigade
Sandra de la Loza
Robin Holder
Betty Yu
Radical Housing Manifestos:
Thomas Angotti
Alicia Grullon
Hate Free Zone
Lynn Lewis, The Picture the Homeless Oral History Project
Antoinette Martinez, Protect Sunset Park
Robert Robinson
Pati Rodriguez, Mi Casa No Es Su Casa
Samuel Stein
Sunset Park Popular Assembly

Works featured in “Imagining De-gentrified Futures” at Apexart Gallery

Works featured in “Imagining De-gentrified Futures” at Apexart Gallery

See works HERE
Working class communities, immigrant communities, and communities of color across U.S. cities have been disproportionately impacted by hyper-gentrification and displacement over the last fifteen years.

Is it possible to disrupt dominant narratives that depict gentrification as “inevitable” and a “natural” part of urban evolution—monolithic assertions that often come from real estate speculators, developers, extractive industries and the 1%? Can we harness our collective resources and trace a new trajectory that allows communities to flourish without being priced out of our neighborhoods?

Imagining De-gentrified Futures is an interactive exhibition attempting to imagine socially-just futures for our cities and aiming to rethink the assumed trajectory of urban development. Drawing inspiration from anti-gentrification resistance across the U.S., decolonization movements, and Afrofuturism, this exhibition gives permission to imagine, to dream, to unleash and explore ways in which socially-just futures can exist for city communities.

Works on view take a variety of approaches to examine and suggest strategies for the challenges in cities like Hollywood, Philadelphia, New Orleans, New York City’s Chinatown and Brooklyn’s Sunset Park.

Imagining De-Gentrified Futures is an apexart Invited Curator Exhibition. For more information please visit apexart.org/yu.php or contact elizabeth.larison@apexart.org.

My New Multimedia Work Featured at Queens Museum in "After the Plaster Foundation, or, 'Where can we live?' Group Exhibition

My new multimedia work "Resistance in Progress" will officially be on view starting tomorrow, September 16th and open to the public at Queens Museum! This work is part of "After the Plaster Foundation, or Where Can We Live?" a group exhibition that will be up until February 28th 2021.

My new work "Resistance in Progress" highlights the ongoing fight against luxury development and gentrification in Flushing, Queens featuring video, photography, text and other mixed media. I'm really proud that this work is translated into 4 languages - English, Korean, Chinese and Spanish.

READ THE October 29th, 2020 NEW YORK TIMES Review CLICK HERE (or see below)

Photo from the COVID-19 “New Normal” Opening

The heart of the this new work are the stories of Flushing residents and community organizers - Seonae Byeon and Bobby Nathan from MinKwon Center for Community Action 민권센터 and their steadfast commitment in the fight against displacement in Flushing. I am so grateful to them for their time and generosity.

Thanks Tarry Hum for her guidance and expertise. Thanks to Cristina Ferrigno for her work on initial design of the timeline in the show. Thanks to 共鳴 Collective for Language Justice 鳴義社 and all of the others who helped with translation. And thanks to the museum staff for all of their help and patience!

You can read more about SHOW here: https://www.qgazette.com/articles/the-queens-museum-from-home/

Check out the online reader that supplements the show: https://aftertheplasterfoundation.queensmuseum.org/contents/betty-yu

WATCH THE VIDEOS featured in the show click below or CLICK HERE (for Chinese, Korean and Spanish translations):

About the Exhibition:

Look at, read, and listen to the online publication for our upcoming exhibition "After the Plaster Foundation, or, 'Where can we live?'", in which twelve New York City-connected artists and artist groups address shelter, home, and mobility. Find previews of their works, readings they suggested, audio of the artists talking about their ideas, and in some cases, special new projects.
"After the Plaster Foundation, or, 'Where can we live?'" features works by Jennifer Bolande, Ilana Harris-Babou, Heather Hart, Simon Leung, Shawn Maximo, Sondra Perry, Douglas Ross, Peter Scott, Krzysztof Wodiczko, Caroline Woolard, and Betty Yu, and artifacts from the collection of Museum of Capitalism.

Short video by Mariam Bolkvadze about Betty Yu’s "Resistance in Progress" at Queens Museum

New work "(Dis)Placed in Sunset Park" and "Intimate / Distant" Part of "Brooklyn Utopias: 2020” Exhibition at Old Stone House

My new work “Intimate / Distant” and “De-gentrifying my Parents Block” that I produced during the pandemic while at International Center of Photography (ICP) is being showcased along with selections from “(Dis)Placed in Sunset Park” as part of a group exhibition entitled “Brooklyn Utopias: 2020” at the historical Old Stone House in Park Slope, Brooklyn.

Degentrifying My ParentsBlock (2020)

More about the pieces in the show - Click HERE

The show opened on August 20th and will be up in the space until October 2020.

You can also physically visit the show “social distance” style at the beautiful historical landmark in Park Slope. Gallery hours by appointment; please call 718-768-3195 Friday-Sunday, Noon – 3 pm.

More info Click HERE

Photos from COVID-19 “New Normal” Opening on August 20th, 2020

About the exhibition:

Brooklyn Utopias: 2020 addresses Brooklyn’s past, present and future by inviting artists to consider differing visions of an ideal Brooklyn. Participating artists also explore how Brooklyn has continued to change over the past decade, and if/how it can serve as a model for urban and American living on a national scale as we navigate a global pandemic in a time of unprecedented social, political and environmental turmoil. Brooklyn Utopias also implies the possibilities (or limitations) of art in creating a better world. In 2020, in the midst of a tense national election season, COVID-19 and the Black Lives Matter protests sparked by the killing of George Floyd and others have brought heightened attention and urgency to the need to address Brooklyn’s persistent socioeconomic and racial inequities. Brooklyn Utopias: 2020 responds to our current moment with artworks that implicitly or explicitly suggest that a Brooklyn Utopia, especially in the COVID era, must involve not only a safe, healthy and affordable physical environment that nurtures the borough’s diverse communities and landmarks. It also demands a greater collective spirit and the rejection of “unhealthy levels of independence,” in the words of artist Jody Wood, who has created a virtual Independence Treatment Center to mitigate this condition. Diane Exavier’s Every Body Remains a Miracle installation and book-making workshop asks, “How do we care for our neighbors when the amenities of new construction seduce tenants into exceedingly more private life?” (and when those with the means may choose to abandon Brooklyn for suburban and rural alternatives?) #BrooklynUtopias2020

New Photographs from "(Dis)Placed in Sunset Park" Series receives En Foco Award and Exhibition

As a part of the 2020 En Foco Fellowship my photographs of my parents and the impact of gentrification from my "(Dis)Placed in Sunset Park" series were supposed to be exhibited in a group show. Due to COVID-19 the show was online.

The photographs were also featured on the cover of En Foco’s Nueva Luz Magazine, CLICK HERE to see the issue.

Here are some of the photos that are part of the exhibition below

I'm also excited to announce that one of my photographs of my mother is on the cover of their magazine "Nueva Luz" 

Description of the work: 

Betty Yu follows a joint story of the relationship between her parents as they do everyday errands within the backdrop of the working-class immigrant neighborhood of Sunset Park, Brooklyn. The neighborhood is facing and actively confronting accelerated displacement and gentrification, which makes itself so visible by the giant new structures right up against her family’s home. The En Foco 2020 Photography Fellowship Exhibition: Your Reflection, This Memory features the works of Akshay Bhoan, Johnnie Chatman, Odette Chavez-Mayo, Luis Diaz, Roberta Dorsett & Clarissa B. Aponte (Collaborators), Jon Henry, Antonio Johnson, Rahul Majumdar, Josefina Moran, and Betty Yu, and is curated by Julia Mata. The exhibition was originally scheduled to be held at BronxArtSpace, but due to the COVID-19 pandemic, was transitioned to an online exhibition.

The En Foco Fellowship photographers in each of their distinct ways, meticulously use their powers of observation, commentary, and response to create images that document a variety of realities. The fellows create both staged and spontaneous shots of interpersonal relationships, city and home landscapes, social and political dynamics, and their collaborative processes with each other. Through each of their bodies of work they amplify concrete realities as well as staged interpretations that display the underbelly of the social structures we live in. The work is a range of styles and outlooks, from different vantage points of the contemporary photography world. We have the straightforward report-style approach of an investigator seeking out the truth right up next to a more contemplative and surreal project. It’s a sample of the field of new works by some very strong and very different voices.